With the mirrorless takeover complete, there's no shortage of compelling video specific and hybrid options available for video shooters.
With the mirrorless takeover complete, there's no shortage of compelling video specific and hybrid options available for video shooters.
The α mission is to give creators the power to realize their dreams. The Sony α1 is its most potent expression to date.
Stills or video—the Z 9 flagship mirrorless camera will help you achieve flawless images without fail.
Canon has thrown everything but the kitchen sink at the EOS-1D X Mark III to create their finest DSLR ever made. Professionals get Canon’s latest technology that includes a powerful Digic X processor, which facilitates 16fps continuous shooting via an optical viewfinder that offers clear viewing with no infuriating electronic lag. Greater dynamic range and detail is recorded in HEIF files than JPEGs, it has an initiative smart controller for rapid focus point positioning, and records full-width 4K/60p video. It’s larger and heavier than its mirrorless competition, however it benefits from a huge battery (2850 shots with the viewfinder) and presents everything a working pro needs. It’s an extraordinarily impressive and class-leading DSLR.
Capture breathtaking 8K video and 45MP stills with our smallest Cinema EOS camera that’s ready for anything.
The a7S III takes the S series to a whole new level of full-frame movie expression. Spectacular new speed combines with supreme sensitivity and ultra-low noise to put previously impossible 4K movie shoots on the menu, with high dynamic range, breathtaking focusing, and extra-strong image stabilisation. Full-frame E (FE) mount.
The LUMIX S1H is the world’s first mirrorless camera capable of video recording at 6K/24p, combining professional-level video quality and high mobility of the mirrorless camera. Full frame L mount.
Though a minor update to Nikon’s magnificent Z 7, the Z 7 II introduces important revisions that enhance performance. By uniting a pair of Expeed 6 image processors together it can shoot continuously at up to 10fps for longer. There’s the option to ouput ProRes raw video via HDMI to an external recorder and the addition of 4K/60p video is well received. The Z 7 missed a trick by only having a single XQD card slot, The Z 7 II addresses this by adding a second SD card slot. The camera can be charged when it’s powered and having the option to select face and eye tracking during video recording video is another advantage.