Whilst you can get away with using your EF 70-200mm f/2.8 lens with a Metabones adaptor on the Sony a7/9 range of cameras, are there benefits to be had by using Sony's own FE 70-200mm f/2.8 GM lens for video?
We have joined forces with Fujinon to offer you the opportunity to get hands-on experience with the Fujinon MK 18-55mm T2.9 and the Fujinon MK50-135mm T2.9 Cine zoom lenses.
VIDEO: Fujifilm have released a new video, where Seth K Hughes transports you to the Colorado mountains to explore what the new X-E3 has to offer.
Sony have just released a new video, showcasing the abilities of the FE 100mm f2.8 STF GM OSS, delivering incredible sharpness against soft, dreamy backgrounds.
We got to have a quick look at the new RX0 on the Sony stand at IBC2017. Will it be good enough to topple the GoPro dominance?
Our new reviewer Tom talks us through the newly released Manfrotto Nitrotech N8 video head, featuring a state of the art nitrogen piston mechanism that will handle up to 8kg with ease.
Have you seen our new and improved mobile site? Launched overnight; it now offers a far more streamlined, user friendly experience and a MUCH quicker registration process.
Currently the Olympus OM-D E-M1 Mark II features one of the best image stabilisation systems of any camera for stills photography. It is a real headline feature of the E-M1 Mark II that naturally we wanted to try it out in what we are calling a ‘How slow can you go’ real world photography test.
GoPro has ended months of speculation and officially launched the HERO6 Black, introducing its new flagship action camera that it’s calling its ‘most powerful and convenient’ camera yet, alongside the Fusion, giving you totally spherical footage.
Do the best things come in small packages? - The new Canon XF405 certainly seems to suggest they might - here is our first look, with Canon’s Barry Griffin at IBC 2017
- Stills Motion
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