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14mm F1.8 DG HSM | A (Canon) Sigma 40 2022-06-17
  1. Lenses
  2. Canon EF Mount
  3. Stills Lens Type
  4. Prime

Sigma 14mm F1.8 DG HSM | A (Canon)

The Sigma 14mm 1.8 DG HSM Art features the same large aspherical element touted in the Sigma 12-24mm F4 Art to control distortion and create stunning imagery.

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A true high-speed lens that delivers a new dimension of visual experience

In taking photographs of starry skies or other celestial scenes at night, or of the seashore with a wide perspective, a large-aperture lens is a strong ally, since it allows the capture of a moving subject by adjusting shutter speed without relying on ISO sensitivity. With its full-frame 35mm coverage, 14mm focal length for an ultra-wide angle of view, F2 barrier-breaking F1.8, the SIGMA 14mm F1.8 DG HSM | Art is the true high-speed ultra-wide-angle lens for which so many photographers have been waiting. Although some zoom lenses are available that can cover 14mm, the large diameter delivering F1.8 brightness is a singular advantage. Going beyond fast shutter speed, this lens can capture a swarm of fireflies with crystal clarity, a beautiful bokeh effect, and outstanding control of light streaking.

Art line delivers high-level artistic expression

SIGMA is organising all of its interchangeable lenses into three product lines: Contemporary, Art, and Sports – each with a distinctive concept. Designed with a focus on sophisticated optical performance and abundant expressive power, the Art line lenses deliver high-level artistic expression. Offering astonishing rendering performance that meets the highest standard, they are perfect for landscapes, portraits, still-lifes, close-ups, and casual snaps. They are made for the kind of photography that unleashes the inner artist. A powerful ally in every genre of photography, SIGMA's Art line lenses excel both in the studio for formal works and outdoors for impressive shots of architecture, starry skies, and many other scenes.

A mode of expression that was unavailable – until now

By leveraging its extreme angle of view and the dramatic perspective this creates, an ultra-wide-angle lens can get up close and personal with a subject while at the same time taking in a vast background – an example of photography going beyond normal human vision.

SIGMA 14mm F1.8 DG HSM | Art combines the possibility of extremely deep depth of field that comes from an ultra-wide angle of view with the extremely shallow depth of field that comes from F1.8 brightness. The result is a sharply captured subject set against a vast background dramatically blurred with a beautiful bokeh effect. It’s a highly impressive mode of photographic expression that, until now simply hasn’t existed.

Minimised chromatic aberrations

Three FLD (“F” Low Dispersion) glass elements and four SLD (Super Low Dispersion) glass elements help minimise transverse chromatic aberration, which tends to be noticeable in shots taken with ultra-wide-angle lenses. Offering excellent peripheral brightness, this lens delivers outstanding image quality from the center to the edges.

Distinctive bokeh effect

Even at the 14mm ultra-wide-angle of view, F1.8 brightness makes possible a very shallow depth of field with the subject standing out dramatically against a bokeh background. It’s the unique mode of expression that only a large-diameter lens can deliver.

Minimised distortion

Serving as the front lens element, the large φ80mm precision-molded glass aspherical lens effectively minimizes distortion. Offering excellent peripheral brightness, this lens delivers outstanding image quality from the center to the edges.

Exclusive low-dispersion glass

The degree to which light is refracted by glass depends on the light's wavelength. This fact causes different colours of light to focus at slightly different points. The result is chromatic aberration, the colour fringing that is particularly noticeable in telephoto lenses. Most chromatic aberration can be removed by combining a high-refractivity convex lens element with a low-refractivity concave element. Yet residual chromatic aberration known as “secondary spectrum” may still remain. To minimise this secondary spectrum, which can be a serious issue with conventional lenses, SIGMA lenses feature up to three types of exclusive low-dispersion glass offering superior performance: ELD (Extraordinary Low Dispersion), SLD (Special Low Dispersion) and FLD (“F” Low Dispersion). In particular, FLD glass offers ultra-low dispersion in combination with high transmittance and the anomalous dispersion characteristics of fluorite. Meticulous deployment of these types of exclusive low-dispersion glass and optimisation of power distribution gives SIGMA lenses superlative image rendition undiminished by residual chromatic aberration.

Designed to minimise flare and ghosting

From the start of the design process, SIGMA measured flare and ghosting to establish an optical design that is resistant to strong incidental light sources such as backlight. At the prototyping stage, SIGMA used not only simulations but actual photographic experiments to assess flare and ghosting under multiple criteria, identify the causes of these issues under a wide range of situations, and take measures to mitigate them. In addition, SIGMA’s Super Multi-Layer Coating helps further reduce flare and ghosting and provide sharp, high-contrast images even in backlit conditions.

Delivering fast autofocus photography

A large hypersonic motor (HSM) AF with full-time manual focus and all of SIGMA’s latest design and manufacturing technologies help deliver an entirely new visual experience.

Large HSM for smooth operation at lower speeds

The large hypersonic motor delivers ample torque to the focusing group for outstanding speed, ensuring exceptionally stable performance even at lower speeds. Along with the optimised AF algorithm, this feature delivers fast autofocus photography.

Mount with dust- and splash-proof design

Since the area of the lens most vulnerable to dust and other foreign bodies is the mount, rubber sealing helps provide peace of mind. In addition, the front lens element features a water- and oil-repellant coating that helps the lens perform well in the rain, near water, and in other challenging conditions.

High-precision, rugged brass bayonet mount

The brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens.

Compatible with Mount Converter MC-11

Mount Converter MC-11 allows you to use SIGMA EOS mount (Canon-compatible) interchangeable lenses with the Sony E-mount camera body. Enjoy the world of ultra-wide-angle photography with Sony E-mount cameras.

SIGMA USB DOCK makes customisation and flexible adjustment possible

With the optional SIGMA USB DOCK, you can adjust the focus position and other settings. Simply connect the lens to the SIGMA USB DOCK and the dock to a computer to use the dedicated SIGMA Optimization Pro software and perform various types of customisation and adjustment.

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SIGMA | ART Prime Lens Series

Description Quantity
iM2075 Flight Case1
LC954-01 Front Lens Cap1
Lens Back Cap1
Lens bag/pouch1

JUST ANNOUNCED: 11 New SIGMA Interchangeable Lenses for L-Mount

JUST ANNOUNCED: 11 New SIGMA Interchangeable Lenses for L-Mount

27 February 2019

SIGMA Corporation has announced the launch of the Art line prime lens lineup for full-frame cameras in L-Mount. These L-Mount series lenses have achieved high-speed AF and are fully compatible with AF-C mode, in-camera image stabilization, and in-camera aberration correction.

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If extremely precise autofocus is required, the Sigma calibration dock will fine-tune the relationship between the specific camera and the specific Sigma lens you are using. For ultra precision, you may also want to use the Datacolor SpyderLENSCAL calibration chart.

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