Sony has a rich pedigree of producing exceptional cine cameras.
Need help choosing the right Sony FX camera for your shoot? Use this comparison to weigh up sensor size, recording formats, stabilisation, audio inputs and more.
The FX6 offers more physical controls, built-in variable ND filters, and a larger body ideal for rigging. The FX3 is smaller and lighter — better for handheld, gimbal or drone use — but still delivers full-frame 4K up to 120fps and great low-light performance.
Yes — the FX30 offers many of the same features as its full-frame siblings, including S-Cinetone, 10-bit recording, and professional audio support. Its Super 35 sensor makes it ideal for indie productions, students, and anyone upgrading from mirrorless cameras.
Yes — the FX6 and FX3 can output 16-bit RAW over HDMI or SDI when paired with compatible recorders like the Atomos Ninja V or Shogun. This unlocks even greater post-production flexibility for colour grading and VFX workflows.
The FX6, FX3, and FX30 support CFexpress Type A and SDXC UHS-II cards. For best results when shooting high bitrate 4K, we recommend using V90-rated SD cards or CFexpress cards depending on the codec and frame rate selected.
Yes — all Sony FX cinema cameras feature the E-mount system, making them compatible with Sony’s full range of lenses as well as many third-party options. Auto iris, AF, and stabilisation are supported on most native lenses.
From studio portraits to on-location video shoots, the right lighting setup transforms your results. Not sure where to start? Get in touch and our expert team will help you choose the best lighting gear for your shoot.