The a7S III takes the S series to a whole new level of full-frame movie expression. Spectacular new speed combines with supreme sensitivity and ultra-low noise to put previously impossible 4K movie shoots on the menu, with high dynamic range, breathtaking focusing, and extra-strong image stabilisation. Full-frame E (FE) mount.
Sony has excelled themselves with the A7R IV. They’ve created a master of resolution that does so much more than offer an outrageously high 61MP output. It captures full-resolution images at a healthy 10fps, processes high volumes of data without delay, delivers an absurdly impressive ISO performance and offers a jaw-dropping dynamic range performance. A revised handgrip, refined weather seals and wider phase-detection coverage, combined with an extremely useful 26MP APS-C crop mode are reasons to choose it ahead of the A7R III. The A7R IV is a dream camera. It achieves the unthinkable and excels in each and every criteria.
The LUMIX S1H is the world’s first mirrorless camera capable of video recording at 6K/24p, combining professional-level video quality and high mobility of the mirrorless camera. Full frame L mount.
Though a minor update to Nikon’s magnificent Z 7, the Z 7 II introduces important revisions that enhance performance. By uniting a pair of Expeed 6 image processors together it can shoot continuously at up to 10fps for longer. There’s the option to ouput ProRes raw video via HDMI to an external recorder and the addition of 4K/60p video is well received. The Z 7 missed a trick by only having a single XQD card slot, The Z 7 II addresses this by adding a second SD card slot. The camera can be charged when it’s powered and having the option to select face and eye tracking during video recording video is another advantage.